

This is massively beneficial when utilising computer processing for finishing. 10-bit video offers greater accuracy with billions of color combinations. This is the highest framerate 4K 10-bit HDMI video output that Canon has ever offered from a mirrorless camera. Recording ProRes or DNx codecs ensures that footage from the EOS R5 or EOS R6 is production ready and has the widest possible compatibility with editing and grading software. Images from either Log or PQ HDR can also be instantly played out to a compatible HDR television or monitor in PQ or HLG standards. When shooting in PQ HDR on the EOS R5 and EOS R6 the Atomos monitor can be set up to display an accurate HDR image. Alternatively, multiple 3D LUTs can also be loaded into Atomos monitors that can show the Canon Log output of the cameras with a creative look applied.Ĭanon Log signals can be viewed in PQ or HLG HDR standards on the Ninja V, Shogun 7 and Sumo19 to guarantee perfect exposure and color.

Using AtomHDR technology you can see every detail the sensor is capturing on-screen in real time. Users will be able to both monitor and record the 10-bit Canon Log or PQ HDR output of the EOS R5 and EOS R6 on Atomos devices. Both cameras offer exciting features for video creators and Atomos are delighted to support 4K and HD video recording from the EOS R5 and EOS R6 via HDMI in industry standard codecs on all current monitor-recorders, directly onto affordable, reliable SATA SSD media. The Atomos Ninja V, Shogun 7 and Sumo19 HDR monitor recorders will record 4kp59.94 10-bit 422 Apple ProRes or Avid DNx video from the new Canon EOS R5 and EOS R6 full-frame mirrorless cameras.
